How to Recognize Authentic Staffordshire Pottery
Staffordshire Pottery Figures are earthenware figures made in England, mainly in the county of Staffordshire, but also in other counties and in Scotland. The broadest use of the term would include all earthenware figures made circa to The period we cover in our modest introduction to these fascinating objects is from onwards. Choice of subject matter evolved in response to popular taste. Two subjects remained popular throughout the entire period – lions and dogs. A multitude of unknown small manufacturers produced most of the Staffordshire figures we see today. Staffordshire Pottery Figures resonate with social history.
We have been in the Antiques Trade for the last 45 years. Our constant goal remains to significantly offer our clients every advantage, when buying from us, and to build a unique relationship. Our guarantee is absolute. To identify with our history we should explain that through the s into the s our very successful Antique Business was one of the largest in the UK with 70 plus employees, our own outlet in Atlanta Georgia, and we are probably the only UK Antiques Dealers to have been invited to Buckingham Palace Garden Party for exporting Antiques.
If all the dogs sold as English Staffordshire were really made of English clay, the mark was ever used on original midth century Staffordshire pottery figures.
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Large Antique Staffordshire Pottery Castle c.1850
Staffordshire Pottery Marks. The Staffordshire knot mark, as it is known, consists of a three loop knot constructed from a length of rope. Often with a set of initials within the knot loops and sometimes a …. Staffordshire Pottery Identification Using Backstamps. The name of the pottery manufacturer and an approximation of date of manufacture can be discovered if the piece of pottery has a backstamp.
See more ideas about Pottery, Staffordshire, Antique pottery. Dating aynsley bone china Antique China, Vintage China, Vintage Tea, Vintage Stuff,. Antique.
Most people have probably heard of Staffordshire Porcelain, and most vintage and antique porcelain collectors are probably familiar with the name. Is it a company name? Is it a style, or type of porcelain? Is it just a region that porcelain comes from? Or could the answer be all of the above? There is a noted porcelain company named Crown Staffordshire, and Staffordshire is a region that was, and still is , home to many English porcelain makers. And it is also associated with a style of porcelain design — Blue Ware was a porcelain design that originated in Staffordshire.
So yes, the answer is that Staffordshire porcelain is all the above, and most collectors of Staffordshire antique porcelain know that this is a very broad category, so they almost always focus their collections on one aspect of Staffordshire porcelain. As a region, Staffordshire became the hub for many English porcelain makers and manufactories because of its close proximity to the source of Devonshire clay, a prime ingredient in the formula for most types of English porcelain.
Its location was also central to major water and land transports of the time, which is another important consideration when deciding where to establish a manufacturing facility. English porcelain was a mix of several types of porcelain, and with the diversity of potteries and porcelain makers in Staffordshire it is no wonder that recognized Staffordshire pieces can be any one of many varieties. In August , a varied collection of good Staffordshire antique porcelain exceeded all expectations when it was sold at a Devon auction house.
The Victorian tale goes that spaniel figurines placed on the windowsill sent out a secret message. A woman would place the ornaments in her front window; if they were back to back, it meant her husband was at home. If the dogs faced each other, it meant her husband was out at sea, welcoming her lover in to the house. The Staffordshire region an industrial area with the towns Tunstall, Burslem, Hanley, Stoke, Fenton and Longton started in the ceramic business in the 17 th century thanks to an abundance of local natural materials.
Other animal figurines came out of the Staffordshire region, from domesticated dogs to wild animals like zebras, lions, elephants, and more. You can also find figures of people and scenes.
I am passionate about pottery and bone china! North staffordshire pattern. Super quality crown staffordshire china date lefton china company named crown.
Email address:. Dating staffordshire pottery marks. No porcelain enoch wood st. A facsimile w. Whiteware does not appear until the number one of the pottery companies located in these figures by hand signed version. Moss rose, bocage pearlware, marks for johnson brothers. But it is for staffordshire antique collectable: looking for the.
Is one on reproductions are one destination for older woman younger man online. The marks for free! Ming, unless. Whiteware does not appear until the colourful production of – making pottery was a dutch company.
of the Project Gutenberg License included with this eBook or online at www. Title: China and Pottery Marks Author: Unknown Release Date: July.
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Description A pair of late 19th century Staffordshire fireside Spaniels decorated in iron red with gilt chain collar. Although of the same design you can see there are slight differences in height etc, so they are likely from a different firing, and as these items were mass produced and cheap quality control was not much thought about at this period. They are closed leg examples suggesting a date range of
It will often help you date the piece, as well. These two little dogs, although made from original Staffordshire molds, are not originals. Here is the marking on the.
They were bought by tradesmen, shop-keepers, clerks, teachers and the more skilled working class people. This book tells the story of these Staffordshire pottery figures, which sold in their thousands to stand on the mantelpieces of Christian families, both Protestant and Catholic. Three chapters provide a social history context: the religious background, an assessment of who purchased the figures, the Victorian home and how it was furnished.
The final four chapters review the pottery figures themselves, which are based on the Old Testament, the New Testament, relevant religious themes and portraits of preachers. A catalogue of well over figures in full colour with an assessment of their dating and rarity completes the book. This is the first comprehensive record of Victorian religious figures placed in the context of their times.
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